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Nineteenth-Century Music

Table of Contents

Vol. 9 No. 1, Summer, 1985

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    Back Matter
    DOI: 10.2307/746245
  • You have accessRestricted access
    Front Matter
    (pp. 1-2) DOI: 10.2307/746237
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    A Choral Symphony by Brahms?
    Christopher Reynolds
    (pp. 3-25) DOI: 10.2307/746238
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    Henry Meiggs: Maverick Entrepreneur
    Vera Brodsky Lawrence
    (pp. 27-41) DOI: 10.2307/746239
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    "Sacred Bronzes": Paralipomena to an Essay by Dallapiccola
    Piero Weiss
    (pp. 42-49) DOI: 10.2307/746240
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    Ancora un bacio: Three Scenes from Verdi's "Otello"
    Roger Parker, Matthew Brown
    (pp. 50-62) DOI: 10.2307/746241
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    The Young Lovers in "Falstaff"
    Thomas Bauman
    (pp. 62-69) DOI: 10.2307/746242
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    The Continuing Schubert Controversy
    Harry Goldschmidt, Robert Winter
    (pp. 70-77) DOI: 10.2307/746243
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    Comment & Chronicle
    (pp. 78-80) DOI: 10.2307/746244
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19th-Century Music: 9 (1)
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  • On Singing and Listening in Vaughan Williams's Early Songs
  • The Stillness of Time, the Fullness of Space: Four Settings of Goethe's “Wandrers Nachtlied”
  • Present Absence: Debussy, Song, and the Art of (Dis)appearing
  • Seascape in the Mist: Lost in Mendelssohn's Hebrides
  • Absent Subjects and Empty Centers: Eichendorff's Romantic Phantasmagoria and Schumann's Liederkreis, Op. 39
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