Skip to main content

  • HOME
  • CURRENT CONTENT
  • ALL CONTENT
  • SUBMIT
  • ABOUT
    • Journal
    • Editorial
  • INFO FOR
    • Librarians
    • Authors
    • Reprints and Permissions
    • Subscribers
  • MORE
    • Alerts
    • Contact Us

  • Login

  • Advanced search

  • Login
Advanced Search
  • HOME
  • CURRENT CONTENT
  • ALL CONTENT
  • SUBMIT
  • ABOUT
    • Journal
    • Editorial
  • INFO FOR
    • Librarians
    • Authors
    • Reprints and Permissions
    • Subscribers
  • MORE
    • Alerts
    • Contact Us
Nineteenth-Century Music
Chopin's Rogue Pitches: Artifice, Personification, and the Cult of the Dandy in Three Later Mazurkas
Lawrence Kramer
19th-Century Music, Vol. 35 No. 3, Spring, 2012; (pp. 224-237) DOI: 10.1525/ncm.2012.35.3.224
Lawrence Kramer, Distinguished Professor of English and Music at Fordham University, is the editor of this journal. His most recent book is Interpreting Music (2010); since its publication in 2007 his Why Classical Music Still Matters (2007) has been translated into Portuguese and Italian; his Expression and Truth is due out this fall. All are published by the University of California Press. Kramer's cantata Crossing the Water premiered in August 2011 on the campus of the Sante Fe Opera.
  • Article
  • Info & Metrics
  • PDF
PreviousNext
Loading

Article Information

DOI 
https://doi.org/10.1525/ncm.2012.35.3.224
Publication Date 
  • Published online March 1, 2012.

Published By 
University of California Press Journals
Print ISSN 
0148-2076
Online ISSN 
1533-8606

Copyright & Usage 
© 2012 by the Regents of the University of California

Author Information

  1. Lawrence Kramer
  1. Lawrence Kramer, Distinguished Professor of English and Music at Fordham University, is the editor of this journal. His most recent book is Interpreting Music (2010); since its publication in 2007 his Why Classical Music Still Matters (2007) has been translated into Portuguese and Italian; his Expression and Truth is due out this fall. All are published by the University of California Press. Kramer's cantata Crossing the Water premiered in August 2011 on the campus of the Sante Fe Opera.

PreviousNext
Back to top

Vol. 35 No. 3, Spring, 2012

19th-Century Music: 35 (3)
  • Table of Contents
  • Table of Contents (PDF)
  • Front Matter (PDF)
eTOC Alert

RSSRSS Icon

Email

Thank you for your interest in spreading the word on Nineteenth-Century Music.

NOTE: We only request your email address so that the person you are recommending the page to knows that you wanted them to see it, and that it is not junk mail. We do not capture any email address.

Enter multiple addresses on separate lines or separate them with commas.
Chopin's Rogue Pitches: Artifice, Personification, and the Cult of the Dandy in Three Later Mazurkas
(Your Name) has sent you a message from Nineteenth-Century Music
(Your Name) thought you would like to see the Nineteenth-Century Music web site.
Alerts
Sign In to Email Alerts with your Email Address
Citation Tools
Chopin's Rogue Pitches: Artifice, Personification, and the Cult of the Dandy in Three Later Mazurkas
Lawrence Kramer
19th-Century Music, Vol. 35 No. 3, Spring, 2012; (pp. 224-237) DOI: 10.1525/ncm.2012.35.3.224
Lawrence Kramer, Distinguished Professor of English and Music at Fordham University, is the editor of this journal. His most recent book is Interpreting Music (2010); since its publication in 2007 his Why Classical Music Still Matters (2007) has been translated into Portuguese and Italian; his Expression and Truth is due out this fall. All are published by the University of California Press. Kramer's cantata Crossing the Water premiered in August 2011 on the campus of the Sante Fe Opera.

Citation Manager Formats

  • BibTeX
  • Bookends
  • EasyBib
  • EndNote (tagged)
  • EndNote 8 (xml)
  • Medlars
  • Mendeley
  • Papers
  • RefWorks Tagged
  • Ref Manager
  • RIS
  • Zotero
Request Permissions
Share
Chopin's Rogue Pitches: Artifice, Personification, and the Cult of the Dandy in Three Later Mazurkas
Lawrence Kramer
19th-Century Music, Vol. 35 No. 3, Spring, 2012; (pp. 224-237) DOI: 10.1525/ncm.2012.35.3.224
Lawrence Kramer, Distinguished Professor of English and Music at Fordham University, is the editor of this journal. His most recent book is Interpreting Music (2010); since its publication in 2007 his Why Classical Music Still Matters (2007) has been translated into Portuguese and Italian; his Expression and Truth is due out this fall. All are published by the University of California Press. Kramer's cantata Crossing the Water premiered in August 2011 on the campus of the Sante Fe Opera.
del.icio.us logo Digg logo Reddit logo Technorati logo Twitter logo CiteULike logo Facebook logo Google logo Mendeley logo
View Full Page PDF
  • Tweet Widget
  • Facebook Like
  • Google Plus One
  • Top
  • Article
  • Info & Metrics
  • PDF

Related Articles

Cited By...

Similar Articles

FIND US Facebook Account LinkRSS Feeds LinkTwitter Account LinkInstagram Account LinkLinkedin Account LinkYoutube Account LinkEmail Link

Customer Service

  • Reprints and Permissions
  • Contact

UC Press

  • About UC Press

Navigate

  • Home
  • About
  • Submit
  • Editorial
  • Contact

Content

  • Current Issue
  • All Content

Info For

  • Librarians
  • Authors
  • Subscriptions and Single Issues

Copyright © 2019 by the Regents of the University of California  Privacy   Accessibility