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Nineteenth-Century Music
Matinee Mania, or the Regendering of Nineteenth-Century Audiences in New York City
Adrienne Fried Block
19th-Century Music, Vol. 31 No. 3, Spring 2008; (pp. 193-216) DOI: 10.1525/ncm.2008.31.3.193
Adrienne Fried Block
Coauthor of Women in American Music: A Bibliography of Music and Literature (1979), author of Amy Beach, Passionate Victorian: The Life and Work of an American Composer (1999), awarded the Sonneck Society's Lowens Prize and the ASCAP-Deems Taylor award, and editor of Amy Beach: String Quartet in One Movement, op. 89 (AMS). A specialist in music by American women, she is codirector of ““Music in Gotham: The New York Scene, 1862––1875,”” a project chronicling the performance and reception of music in New York City. Her articles have appeared in American Music, Musical Quarterly, and the New Grove Dictionary of Music and Musicians. She was honored by the Society for American Music with a Lifetime Achievement Award.
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Article Information

DOI 
https://doi.org/10.1525/ncm.2008.31.3.193
Publication Date 
  • Published online March 1, 2008.

Published By 
University of California Press Journals
Print ISSN 
0148-2076
Online ISSN 
1533-8606

Copyright & Usage 
©© 2008 by the Regents of the University of California

Author Information

  1. Adrienne Fried Block
  1. Coauthor of Women in American Music: A Bibliography of Music and Literature (1979), author of Amy Beach, Passionate Victorian: The Life and Work of an American Composer (1999), awarded the Sonneck Society's Lowens Prize and the ASCAP-Deems Taylor award, and editor of Amy Beach: String Quartet in One Movement, op. 89 (AMS). A specialist in music by American women, she is codirector of ““Music in Gotham: The New York Scene, 1862––1875,”” a project chronicling the performance and reception of music in New York City. Her articles have appeared in American Music, Musical Quarterly, and the New Grove Dictionary of Music and Musicians. She was honored by the Society for American Music with a Lifetime Achievement Award.

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Vol. 31 No. 3, Spring 2008

19th-Century Music: 31 (3)
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Matinee Mania, or the Regendering of Nineteenth-Century Audiences in New York City
Adrienne Fried Block
19th-Century Music, Vol. 31 No. 3, Spring 2008; (pp. 193-216) DOI: 10.1525/ncm.2008.31.3.193
Adrienne Fried Block
Coauthor of Women in American Music: A Bibliography of Music and Literature (1979), author of Amy Beach, Passionate Victorian: The Life and Work of an American Composer (1999), awarded the Sonneck Society's Lowens Prize and the ASCAP-Deems Taylor award, and editor of Amy Beach: String Quartet in One Movement, op. 89 (AMS). A specialist in music by American women, she is codirector of ““Music in Gotham: The New York Scene, 1862––1875,”” a project chronicling the performance and reception of music in New York City. Her articles have appeared in American Music, Musical Quarterly, and the New Grove Dictionary of Music and Musicians. She was honored by the Society for American Music with a Lifetime Achievement Award.
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Matinee Mania, or the Regendering of Nineteenth-Century Audiences in New York City
Adrienne Fried Block
19th-Century Music, Vol. 31 No. 3, Spring 2008; (pp. 193-216) DOI: 10.1525/ncm.2008.31.3.193
Adrienne Fried Block
Coauthor of Women in American Music: A Bibliography of Music and Literature (1979), author of Amy Beach, Passionate Victorian: The Life and Work of an American Composer (1999), awarded the Sonneck Society's Lowens Prize and the ASCAP-Deems Taylor award, and editor of Amy Beach: String Quartet in One Movement, op. 89 (AMS). A specialist in music by American women, she is codirector of ““Music in Gotham: The New York Scene, 1862––1875,”” a project chronicling the performance and reception of music in New York City. Her articles have appeared in American Music, Musical Quarterly, and the New Grove Dictionary of Music and Musicians. She was honored by the Society for American Music with a Lifetime Achievement Award.
  • Find this author on Google Scholar
  • Search for this author on this site
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