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Nineteenth-Century Music

Table of Contents

Vol. 29 No. 3, Spring 2006

  • You have accessRestricted access
    Front Matter
    (p. ii) DOI: 10.1525/ncm.2006.29.3.front
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    Berlioz and the Pathological Fantastic: Melancholy, Monomania, and Romantic Autobiography
    Francesca Brittan
    (pp. 211-239) DOI: 10.1525/ncm.2006.29.3.211
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    Mendelssohn's "Scottish" Tonality?
    Balazs Mikusi
    (pp. 240-260) DOI: 10.1525/ncm.2006.29.3.240
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    Occasions and Nations in Brahms's Fest- und Gedenkspruche
    Ryan Minor
    (pp. 261-288) DOI: 10.1525/ncm.2006.29.3.261
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    "Polemik im Concertsaal": Mahler, Beethoven, and the Viennese Critics
    K. Knittel
    (pp. 289-321) DOI: 10.1525/ncm.2006.29.3.289
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    Comment and Chronicle
    Editors
    (p. 322) DOI: 10.1525/ncm.2006.29.3.322
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    Index
    (p. 323) DOI: 10.1525/ncm.2006.29.3.323
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    Directions to Contributors
    (p. 324) DOI: 10.1525/ncm.2006.29.3.324
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19th-Century Music: 29 (3)
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  • On Singing and Listening in Vaughan Williams's Early Songs
  • The Stillness of Time, the Fullness of Space: Four Settings of Goethe's “Wandrers Nachtlied”
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  • Seascape in the Mist: Lost in Mendelssohn's Hebrides
  • Absent Subjects and Empty Centers: Eichendorff's Romantic Phantasmagoria and Schumann's Liederkreis, Op. 39
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