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Nineteenth-Century Music

Table of Contents

Vol. 24 No. 3, Spring 2001

  • You have accessRestricted access
    Making Their Way through the World: Italian One-Hit Wonders
    Hilary Poriss
    (pp. 197-224) DOI: 10.1525/ncm.2001.24.3.197
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    The Sociéétéé Nationale and Its Adversaries: The Musical Politics of L'Invasion germanique in the 1870s
    Michael Strasser
    (pp. 225-251) DOI: 10.1525/ncm.2001.24.3.225
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    On the Limits of Genre: Some Nineteenth-Century Barcaroles
    Rodney Stenning Edgecombe
    (pp. 252-267) DOI: 10.1525/ncm.2001.24.3.252
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    Did the Young Brahms Play Piano in Waterfront Bars?
    Jan Swafford
    (pp. 268-275) DOI: 10.1525/ncm.2001.24.3.268
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    The Young Brahms: Biographical Data Reexamined
    Styra Avins
    (pp. 276-289) DOI: 10.1525/ncm.2001.24.3.276
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    Comment & Chronicle
    (pp. 290-291) DOI: 10.1525/ncm.2001.24.3.290
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19th-Century Music: 24 (3)
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  • On Singing and Listening in Vaughan Williams's Early Songs
  • The Stillness of Time, the Fullness of Space: Four Settings of Goethe's “Wandrers Nachtlied”
  • Present Absence: Debussy, Song, and the Art of (Dis)appearing
  • Seascape in the Mist: Lost in Mendelssohn's Hebrides
  • Absent Subjects and Empty Centers: Eichendorff's Romantic Phantasmagoria and Schumann's Liederkreis, Op. 39
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