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Nineteenth-Century Music

Table of Contents

Vol. 14 No. 2, Autumn, 1990

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    Front Matter
    DOI: 10.2307/746197
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    Back Matter
    DOI: 10.2307/746205
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    Bruckner's Metrical Numbers
    Timothy L. Jackson
    (pp. 101-131) DOI: 10.2307/746198
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    Brahms and the Variation Canon
    Elaine R. Sisman
    (pp. 132-153) DOI: 10.2307/746199
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    Brahms and Nineteenth-Century Painting
    Leon Botstein
    (pp. 154-168) DOI: 10.2307/746200
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    Pitch and Rhythmic Dramaturgy in Verdi's Lux æterna
    John Roeder
    (pp. 169-185) DOI: 10.2307/746201
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    Crossed Stars and Crossed Tonal Areas in Puccini's Madama Butterfly"
    Allan W. Atlas
    (pp. 186-196) DOI: 10.2307/746202
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    Posthumous Schubert
    Richard Kramer
    (pp. 197-216) DOI: 10.2307/746203
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    Comment & Chronicle
    (pp. 217-219) DOI: 10.2307/746204
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19th-Century Music: 14 (2)
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  • On Singing and Listening in Vaughan Williams's Early Songs
  • The Stillness of Time, the Fullness of Space: Four Settings of Goethe's “Wandrers Nachtlied”
  • Present Absence: Debussy, Song, and the Art of (Dis)appearing
  • Seascape in the Mist: Lost in Mendelssohn's Hebrides
  • Absent Subjects and Empty Centers: Eichendorff's Romantic Phantasmagoria and Schumann's Liederkreis, Op. 39
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