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“Svesti la giubba,” or, Uncloaking the Genesis of Pagliacci
Andreas Giger

Spring 2018, Vol. 41 No. 3, (pp. 225-251) DOI: 10.1525/ncm.2018.41.3.225
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The Aesthetics and Politics of Wonder in the First Nutcracker
Damien Mahiet

Fall 2016, Vol. 40 No. 2, (pp. 131-158) DOI: 10.1525/ncm.2016.40.2.131
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“In the Mood:” Peer Gynt and the Affective Landscapes of Grieg's Stemninger, op. 73
Daniel M. Grimley

Fall 2016, Vol. 40 No. 2, (pp. 106-130) DOI: 10.1525/ncm.2016.40.2.106
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French Folk Songs and the Invention of History
Sindhumathi Revuluri

Spring 2016, Vol. 39 No. 3, (pp. 248-271) DOI: 10.1525/ncm.2016.39.3.248
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Bohemian Rhapsodist: Antonín Dvořák's Píseň bohatýrská and the Historiography of Czech Music
Christopher Campo-Bowen

Fall 2016, Vol. 40 No. 2, (pp. 159-181) DOI: 10.1525/ncm.2016.40.2.159
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Lyric and Landscape in Rimsky-Korsakov's Songs
Philip Ross Bullock

Spring 2017, Vol. 40 No. 3, (pp. 223-238) DOI: 10.1525/ncm.2017.40.3.223
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Civil War Imagery, Song, and Poetics: The Aesthetics of Sentiment, Grief, and Remembrance
Richard Leppert

Summer 2016, Vol. 40 No. 1, (pp. 20-46) DOI: 10.1525/ncm.2016.40.1.20
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Coherence and Diversity in the "Symphonie fantastique"
Paul Banks

Summer, 1984, Vol. 8 No. 1, (pp. 37-43) DOI: 10.2307/746249
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Musical History and Self-Consciousness in Mendelssohn's Octet, Op. 20
Benedict Taylor

Fall 2008, Vol. 32 No. 2, (pp. 131-159) DOI: 10.1525/ncm.2008.32.2.131
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Chopin Dreams: The Mazurka in C# Minor, Op. 30, No. 4
Michael Klein

Spring, 2012, Vol. 35 No. 3, (pp. 238-260) DOI: 10.1525/ncm.2012.35.3.238

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