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The Aesthetics and Politics of Wonder in the First Nutcracker
Damien Mahiet

Fall 2016, Vol. 40 No. 2, (pp. 131-158) DOI: 10.1525/ncm.2016.40.2.131
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Deconstructing a "National Composer": Chopin and Polish Exiles in Paris, 1831-49
Jolanta T. Pekacz

Autumn, 2000, Vol. 24 No. 2, (pp. 161-172) DOI: 10.2307/746840
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The Power of Performance as an Alternative Analytical Discourse: The Liszt Sonata in B Minor
Mark Tanner

Autumn, 2000, Vol. 24 No. 2, (pp. 173-192) DOI: 10.2307/746841
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Black Voices, White Women's Tears, and the Civil War in Classical Hollywood Movies
Robynn J. Stilwell

Summer 2016, Vol. 40 No. 1, (pp. 56-78) DOI: 10.1525/ncm.2016.40.1.56
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Julius Stockhausen's Early Performances of Franz Schubert's Die schöne Müllerin
Natasha Loges

Spring 2018, Vol. 41 No. 3, (pp. 206-224) DOI: 10.1525/ncm.2018.41.3.206
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Versioning Strauss
Laura Tunbridge

Spring 2017, Vol. 40 No. 3, (pp. 283-300) DOI: 10.1525/ncm.2017.40.3.283
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Not a “Telephone to the Beyond”: Nietzsche's Early Writings on Music
Katherine Fry

Summer 2018, Vol. 42 No. 1, (pp. 53-70) DOI: 10.1525/ncm.2018.42.1.53
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"Vous qui faites l'endormie": The Phantom and the Buried Voices of the Paris Opééra
Cormac Newark

Summer 2009, Vol. 33 No. 1, (pp. 62-78) DOI: 10.1525/ncm.2009.33.1.062
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Vernacular Song and the Folkloric Imagination at the Fin de Siècle
Ross Cole

Fall 2018, Vol. 42 No. 2, (pp. 73-95) DOI: 10.1525/ncm.2018.42.2.73
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The Overtures of Rossini
Philip Gossett

Jul., 1979, Vol. 3 No. 1, (pp. 3-31) DOI: 10.2307/3519819

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