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Mozart's Figaro and Don Giovanni, Operatic Canon, and National Politics in Nineteenth-Century Prague
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Spring 2018, Vol. 41 No. 3, (pp. 183-205) DOI: 10.1525/ncm.2018.41.3.183
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Writing at the Speed of Sound: Music Stenography and Recording beyond the Phonograph
J. Mackenzie Pierce

Fall 2017, Vol. 41 No. 2, (pp. 121-150) DOI: 10.1525/ncm.2017.41.2.121
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Edwardian Perspectives on Nineteenth-Century Music in E. M. Forster's A Room with a View
Michelle Fillion

Fall/Spring 2001-02, Vol. 25 No. 2-3, (pp. 266-295) DOI: 10.1525/ncm.2001.25.2-3.266
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Glinka’s Three Symphonic Acorns
Kirill Zikanov

Spring 2019, Vol. 42 No. 3, (pp. 184-224) DOI: 10.1525/ncm.2019.42.3.184
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Julius Stockhausen's Early Performances of Franz Schubert's Die schöne Müllerin
Natasha Loges

Spring 2018, Vol. 41 No. 3, (pp. 206-224) DOI: 10.1525/ncm.2018.41.3.206
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Schubert: Music, Sexuality, Culture
Summer, 1993, Vol. 17 No. 1, (pp. 3-4) DOI: 10.2307/746777
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Mystééres limpides: Time and Transformation in Debussy's Des pas sur la neige
Steven Rings

Fall 2008, Vol. 32 No. 2, (pp. 178-208) DOI: 10.1525/ncm.2008.32.2.178
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A Life in Music
John Michael Cooper

Summer 2004, Vol. 28 No. 1, (pp. 77-85) DOI: 10.1525/ncm.2004.28.1.77
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Review
Nancy B. Reich

Summer, 1989, Vol. 13 No. 1, (pp. 67-72) DOI: 10.2307/746214
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Lyric and Landscape in Rimsky-Korsakov's Songs
Philip Ross Bullock

Spring 2017, Vol. 40 No. 3, (pp. 223-238) DOI: 10.1525/ncm.2017.40.3.223

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