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Between Enlightenment and Romanticism in Music History:"First Viennese Modernism" and the Delayed Nineteenth Century
James Webster

Fall/Spring 2001-02, Vol. 25 No. 2-3, (pp. 108-126) DOI: 10.1525/ncm.2001.25.2-3.108
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Schubert’s “Ständchen” in the Voice of the Cinematic Amateur
Jennifer Ronyak

Spring 2019, Vol. 42 No. 3, (pp. 157-183) DOI: 10.1525/ncm.2019.42.3.157
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French Folk Songs and the Invention of History
Sindhumathi Revuluri

Spring 2016, Vol. 39 No. 3, (pp. 248-271) DOI: 10.1525/ncm.2016.39.3.248
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Review
Ruth A. Solie

Nov., 1978, Vol. 2 No. 2, (pp. 178-185) DOI: 10.2307/746314
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Review
Steven Paul Scher

Spring, 1987, Vol. 10 No. 3, (pp. 290-292) DOI: 10.2307/746441
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Black Voices, White Women's Tears, and the Civil War in Classical Hollywood Movies
Robynn J. Stilwell

Summer 2016, Vol. 40 No. 1, (pp. 56-78) DOI: 10.1525/ncm.2016.40.1.56
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A Voice of the Crowd: Futurism and the Politics of Noise
Gavin Williams

Fall 2013, Vol. 37 No. 2, (pp. 113-129) DOI: 10.1525/ncm.2013.37.2.113
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Elgar and Chivalry
Aidan Thomson

Spring 2005, Vol. 28 No. 3, (pp. 254-275) DOI: 10.1525/ncm.2005.28.3.254
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Review
Patrick McCreless

Spring, 1995, Vol. 18 No. 3, (pp. 277-290) DOI: 10.2307/746688
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Introduction Subjectivity in European Song: Time, Place, and Identity
Benedict Taylor, Ceri Owen

Spring 2017, Vol. 40 No. 3, (pp. 185-188) DOI: 10.1525/ncm.2017.40.3.185

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