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Robert P. Morgan

Summer, 1991, Vol. 15 No. 1, (pp. 75-80) DOI: 10.2307/746301
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Music, Melancholia, and Mania: Gaetano Brunetti's Obsessional Symphony
Peter Pesic

Fall 2019, Vol. 43 No. 2, (pp. 67-85) DOI: 10.1525/ncm.2019.43.2.67
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From Tone to Tune—Carl Stumpf and the Violin
Julia Kursell

Fall 2019, Vol. 43 No. 2, (pp. 121-139) DOI: 10.1525/ncm.2019.43.2.121
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Nancy B. Reich

Summer, 1989, Vol. 13 No. 1, (pp. 67-72) DOI: 10.2307/746214
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The Early Styles of Charles Ives
Lawrence Starr

Summer, 1983, Vol. 7 No. 1, (pp. 71-80) DOI: 10.2307/746548
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Liszt's Musical Monuments
Alexander Rehding

Summer 2002, Vol. 26 No. 1, (pp. 52-72) DOI: 10.1525/ncm.2002.26.1.52
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“Svesti la giubba,” or, Uncloaking the Genesis of Pagliacci
Andreas Giger

Spring 2018, Vol. 41 No. 3, (pp. 225-251) DOI: 10.1525/ncm.2018.41.3.225
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Congruence between Poetry and Music in Schumann's Dichterliebe
Don Michael Randel

Summer 2014, Vol. 38 No. 1, (pp. 30-52) DOI: 10.1525/ncm.2014.38.1.030
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William Kinderman

Spring, 1987, Vol. 10 No. 3, (pp. 287-290) DOI: 10.2307/746440
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Nationalizing the Kujawiak and Constructions of Nostalgia in Chopin's Mazurkas
Halina Goldberg

Spring 2016, Vol. 39 No. 3, (pp. 223-247) DOI: 10.1525/ncm.2016.39.3.223

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