Skip to main content

  • HOME
  • CURRENT CONTENT
  • ALL CONTENT
  • SUBMIT
  • ABOUT
    • Journal
    • Editorial
  • INFO FOR
    • Librarians
    • Authors
    • Reprints and Permissions
    • Subscribers
  • MORE
    • Alerts
    • Contact Us

  • Login

  • Advanced search

  • Login
Advanced Search
  • HOME
  • CURRENT CONTENT
  • ALL CONTENT
  • SUBMIT
  • ABOUT
    • Journal
    • Editorial
  • INFO FOR
    • Librarians
    • Authors
    • Reprints and Permissions
    • Subscribers
  • MORE
    • Alerts
    • Contact Us

Nineteenth-Century Music

 

 

Featured Articles

  • Seascape in the Mist: Lost in Mendelssohn's Hebrides
    Benedict Taylor
  • Nationalizing the Kujawiak and Constructions of Nostalgia in Chopin's Mazurkas
    Halina Goldberg
  • French Folk Songs and the Invention of History
    Sindhumathi Revuluri
  • The Ob-Scene of the Total Work of Art: Frank Wedekind, Richard Strauss, and the Spectacle of Dance
    Adrian Daub

Recently Published

  • You have access
    How Did J. S. Bach’s “Aus Liebe will mein Heiland sterben,” BWV 244/49, Get to Be So Slow?
    Daniel R. Melamed
    Summer 2019, Vol. 43 No. 1, (pp. 3-16) DOI: 10.1525/ncm.2019.43.1.3
  • You have access
    “He was unable to set aside the effeminate, and so was forgotten”: Masculinity, Its Fears, and the Uses of Falsetto in the Early Nineteenth Century
    Robert Crowe
    Summer 2019, Vol. 43 No. 1, (pp. 17-37) DOI: 10.1525/ncm.2019.43.1.17
  • You have access
    Propaganda and Reception in Nineteenth-Century Music Criticism: Maurice Schlesinger, Henri Herz, and the Gazette musicale
    Shaena B. Weitz
    Summer 2019, Vol. 43 No. 1, (pp. 38-60) DOI: 10.1525/ncm.2019.43.1.38
  • You have access
    Contributors
    Summer 2019, Vol. 43 No. 1, (p. 61) DOI: 10.1525/ncm.2019.43.1.61

Special Issue:

Subjectivity in European Song: Time, Place and Identity
Guest edited by Benedict Taylor and Ceri Owen
Vol. 40, no. 3 
 
Table of Contents
 
Introduction: Subjectivity in European Song: Time, Place, and Identity
 
The Stillness of Time, The Fullness of Space: Settings of Goethe’s “Über allen Gipfeln ist Ruh”
Scott Burnham

Absent Subjects and Empty Centers: Eichendorff’s Romantic Phantasmagoria and Schumann’s Liederkreis, Op. 39
Benedict Taylor

Lyric and Landscape in Rimsky-Korsakov’s Songs
Philip Ross Bullock

Present Absence: Debussy, Song, and the Art of (Dis)appearing
 Julian Johnson

On Singing and Listening in Vaughan Williams's Early Songs
Ceri Owen
 
Versioning Strauss
Laura Tunbridge
 
Afterword: Song as Subjectivity and Desire
Lawrence Kramer
 
Back to top

Current Issue

19th-Century Music: 43 (1)

Vol. 43 No. 1, Summer 2019
Table of Contents

ISSN: 0148-2076
eISSN: 1533-8606
Frequency: Triannual
Published: July, November, March

eTOC Alert

RSSRSS Icon

  • Tweet Widget
  • Facebook Like
  • Google Plus One

Congratulations to 19th-Century Music Editor, Lawrence Kramer, whose UC Press book, The Thought of Music, has won The Virgil Thomson Award for Outstanding Music Criticism in the concert music field.

We're also delighted to be celebrating editor Professor Kramer's 25th year with19th-Century Music.

About the Journal

19th-Century Music covers all aspects of Western art music composed in, leading to, or pointing beyond the "long century" extending roughly from the 1780s to the 1930s. We are interested equally in the music that belongs to the era and in the impact of the era's music on later times, media, and technologies. We welcome—in no particular order—studies of composers and compositions, styles, genres, performance, historical turning points, cultural formations, critical methods, musical institutions, nineteenth-century music in film and other media, the impact of science and technology, the material conditions of music, relations to literature, visual art, and theater, and more. Contributors are welcome to add to the list. Our aim is to publish far-reaching investigations at the leading edge of musical and multidisciplinary scholarship. Responses to prospective authors will be made within two months of our receiving submissions. 

  • Most Read
Loading
  • On Singing and Listening in Vaughan Williams's Early Songs
  • The Stillness of Time, the Fullness of Space: Four Settings of Goethe's “Wandrers Nachtlied”
  • Present Absence: Debussy, Song, and the Art of (Dis)appearing
  • Seascape in the Mist: Lost in Mendelssohn's Hebrides
  • Absent Subjects and Empty Centers: Eichendorff's Romantic Phantasmagoria and Schumann's Liederkreis, Op. 39
More...

FIND US Facebook Account LinkRSS Feeds LinkTwitter Account LinkInstagram Account LinkLinkedin Account LinkYoutube Account LinkEmail Link

Customer Service

  • Reprints and Permissions
  • Contact

UC Press

  • About UC Press

Navigate

  • Home
  • About
  • Submit
  • Editorial
  • Contact

Content

  • Current Issue
  • All Content

Info For

  • Librarians
  • Authors
  • Subscriptions and Single Issues

Copyright © 2019 by the Regents of the University of California  Privacy   Accessibility