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Nineteenth-Century Music

Table of Contents

Vol. 38 No. 3, Spring 2015

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    Dancing to the Devil's TuneLiszt's Mephisto Waltz and the Encounter with Virtuosity
    David Larkin
    (pp. 193-218) DOI: 10.1525/ncm.2015.38.3.193
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    Music, Drama, and SprechgesangAbout Richard Wagner's Creative Process
    Martin Knust
    (pp. 219-242) DOI: 10.1525/ncm.2015.38.3.219
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    Improvisational IdyllJoachim's “Presence” and Brahms's Violin Concerto, op. 77
    Karen Leistra-Jones
    (pp. 243-271) DOI: 10.1525/ncm.2015.38.3.243
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    Strauss and Hofmannsthal's Arabella and the Resacralization of the Operatic Tradition
    Marc Brooks
    (pp. 272-301) DOI: 10.1525/ncm.2015.38.3.272
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    Contributors
    (p. 302) DOI: 10.1525/ncm.2015.38.3.302
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    Index for Volume 38 (2014–15)
    (p. 303) DOI: 10.1525/ncm.2015.38.3.303
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    Directions to Contributors
    (p. 304) DOI: 10.1525/ncm.2015.38.3.304
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19th-Century Music: 38 (3)
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  • “In the Mood:” Peer Gynt and the Affective Landscapes of Grieg's Stemninger, op. 73
  • Present Absence: Debussy, Song, and the Art of (Dis)appearing
  • Mozart's Figaro and Don Giovanni, Operatic Canon, and National Politics in Nineteenth-Century Prague
  • Nationalizing the Kujawiak and Constructions of Nostalgia in Chopin's Mazurkas
  • Music, Drama, and Sprechgesang
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