19th-Century Music: 38 (3)

Vol. 38 No. 3, Spring 2015

You have accessRestricted access
Dancing to the Devil's TuneLiszt's Mephisto Waltz and the Encounter with Virtuosity
David Larkin

(pp. 193-218) DOI: 10.1525/ncm.2015.38.3.193
You have accessRestricted access
Music, Drama, and SprechgesangAbout Richard Wagner's Creative Process
Martin Knust

(pp. 219-242) DOI: 10.1525/ncm.2015.38.3.219
You have accessRestricted access
Improvisational IdyllJoachim's “Presence” and Brahms's Violin Concerto, op. 77
Karen Leistra-Jones

(pp. 243-271) DOI: 10.1525/ncm.2015.38.3.243
You have accessRestricted access
Strauss and Hofmannsthal's Arabella and the Resacralization of the Operatic Tradition
Marc Brooks

(pp. 272-301) DOI: 10.1525/ncm.2015.38.3.272
You have accessRestricted access
Contributors
(p. 302) DOI: 10.1525/ncm.2015.38.3.302
You have accessRestricted access
Index for Volume 38 (2014–15)
(p. 303) DOI: 10.1525/ncm.2015.38.3.303
You have accessRestricted access
Directions to Contributors
(p. 304) DOI: 10.1525/ncm.2015.38.3.304

Table of Contents