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Nineteenth-Century Music

Table of Contents

Vol. 38 No. 2, Fall 2014

  • You have accessRestricted access
    “The Expressive Organ within Us”Ether, Ethereality, and Early Romantic Ideas about Music and the Nerves
    Carmel Raz
    (pp. 115-144) DOI: 10.1525/ncm.2014.38.2.115
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    Harmony of HeartsMarital Love in Beethoven's Leonore of 1806
    Robert D. Pearson
    (pp. 145-168) DOI: 10.1525/ncm.2014.38.2.145
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    Vitalistic Discourses of Violin Pedagogy in the Early Twentieth Century
    Stefan Knapik
    (pp. 169-190) DOI: 10.1525/ncm.2014.38.2.169
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    Contributors
    (p. 191) DOI: 10.1525/ncm.2014.38.2.191
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    Directions to Contributors
    (p. 192) DOI: 10.1525/ncm.2014.38.2.192
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19th-Century Music: 38 (2)
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  • “In the Mood:” Peer Gynt and the Affective Landscapes of Grieg's Stemninger, op. 73
  • Present Absence: Debussy, Song, and the Art of (Dis)appearing
  • Mozart's Figaro and Don Giovanni, Operatic Canon, and National Politics in Nineteenth-Century Prague
  • Nationalizing the Kujawiak and Constructions of Nostalgia in Chopin's Mazurkas
  • Music, Drama, and Sprechgesang
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